Recent work 2021

I have been making books, prints and other things…

Imaginary botanicals with rock paints.
5/10 EV Herbarium Exotica I C Wilson 2021

A Travellers Journal. I followed the Handmade Book Club instructions and made a 2022 Planner – don’t know how I will cope with that concept… Canvas painted with runs of Golden Acrylic High Flow ink.
Before Christmas I made a few small travellers journals to give as presents. This one’s cover was made from the carton of a six pack beer – just loved the colours.

I took part in the show – Oxford Papermakers: Waiaraki Eyre River Project 4 – 28 November 2021
Alison Fleetwood, Katie Hallam, June Inch, Casey Macaulay, Elaine Steenhart, Tessa Warburton and Celia Wilson

  1. A collage of dry point prints showing the exotic weeds, coloured with local rock pigments, that thrive on the local braided river, Waiaraki/Eyre River. The course of the river near Oxford is depicted – adapted from images on Google Earth. I have used some paper that we made from these weeds. I started this work at the Printmakers Open House at the Oxford Gallery.
2. A bit of fantasy to show the local environment from river bed to mountains: Collaged handmade papers from the river plants, local rock pigments, and home made charcoal rubbings of collagraph plates. The backing paper is Harakeke paper made by Mark Lander who made the hollander beater that the Oxford Gallery Papermakers use. The Tree Lupin is painted with ink from gorse petals.

More about this show can be found at the gallery website under ‘Exhibitions’:- https://oxfordgallery.org.nz/

Waikawa Walks Pigments

Waikawa Bay is near Waitohi/Picton on Queen Charlotte Sound, and they are connected by a track through the Victoria Domain Park. There are other tracks in the Domain and you can walk to end of the peninsula; The Snout. We tried most of these three tracks and here are a couple of photos:

We were staying in Waikawa in February 2020, and these pigments I collected during the walks. These were three different clays and one harder rock (the red pigment). I am trying to catch up with testing these pigments. It made a relaxing task compared to working towards exhibitions!

I rather like the #4 pigment, has an slight green colour to the brown. The sample “#5” in the photos above is the first paint I made at the workshop in September and is #4. Just to confuse us all. It is interesting how yellow pigments can give a variety of darker colours. After the last Workshop in September I posted images of some of the paints made. These paint tests are made with the full strength paint, so the colours are quite dark. I have watered down the red paint, and I also rub some of the pigment powder on to the test page, for the record.

Open House Printmakers: New Work

We set up our new exhibition at the Oxford Gallery, on the 6th October. As you can see we have very different approaches to printmaking.

OPEN HOUSE PRINTMAKERS : NEW WORK

Kathy Anderson, Jo Ernsten, Casey Macaulay, Ruth Stanton-Mcleod, Kris Waldin, Tessa Warburton & Celia Wilson

7-24 October 2021

Kathy Anderson

Casey Macaulay

Ruth Stanton McLeod

Kris Waldin

Tessa Warburton

Jo Ernsten

Here is my submission.

For this set of hand coloured prints I concentrated on the flora and fauna of the River Eyre/Waiaraki to show the displacement of bird life by introduced by exotic plant life.  The plants take on an imaginary shape, though based on actual plants.  These prints were influenced by medieval illustrations;  I felt our present day understanding of nature is in some respect no different to their ideas of what exotic animals might look like.  My work always comes out ‘pretty’ no matter how hard I try to make it the opposite! I really enjoyed painting these prints.

Ed 2/5 EV “Herbarium Exotica V” Celia Wilson

A Wrybill is the bird shown in this print.

Earth Paints

I usually put left over paint from my tests into wine bottle tops and attach a piece of paper to record the location, the date made and/or date collected and the colour. Here’s a selection that I pulled out the other day.

Open House at Arts in Oxford

Open House is a great experience. We are in the final few weeks of the artist in residence project (on Fridays, Saturdays, and Sundays) . We think we have spoken to the public for about 60% of the time we have been in the gallery working. Its has been very satisfying to talk to visitors and to realise how many people out there are actually very curious about how printmakers make images, how we research and experiment. We have all enjoyed being artists together, a great opportunity to exchange ideas and learn in good company. Just such a great idea; we have been very honoured be invited and very pleased to take part.

Fellow invited artists with Jo Ernsten are Kathy Anderson, Casey Macaulay, Ruth Stanton McLeod, Kris Waldin, Tessa Warburton. Last weekend visitors were offered the opportunity to print and take home a calico carry bag. We have made some more which are now on sale in the gallery.

Here are some photos I have taken of some work made to date. First up is an image of my table and some old and new work on the wall.

I have been using rock pigments from the Eyre/Waiaraki River that runs by Oxford. Water only runs through the braided river bed after rain, and the close-by headwaters are in and around the Mt Oxford hills. Weeds can grow and make the shingle beds unsuitable for nesting birds, but there is still lots to see at any time of the year. We have collected some of the weeds to make paper at the Gallery, and I am using some of this paper in my Open House art. I’ve been making *muller imprints with the paint I’ve made – browns, reds and greys. I have included paint made from green Waimakariri River rock as well – that river is not far from Oxford, and the Eyre/Waiaraki River eventually joins the Waimakariri closer to the coast. The Eyre/Waiaraki River used to end in swampy ground situated to the north of the point where it is now diverted into the Waimakariri.

From various maps I have drawn a section of the braided river in Oxford, made dry-point prints of the river bed structure (always moving!) and a selection of introduced weeds as well as New Zealand native plants that are found around and in the river bed.

*Muller imprints are made with the tool that is used to grind the pigment powder into the binder. The suction created by lifting the muller off the paint creates the patterns on the muller base that I then imprint on to paper. I have made two layered concertina booklets using the pigments and the braided river as inspiration. Not finished yet! A couple of other books using print and paint are also in progress.

More to come later.

Making Paint at Turanga – Christchurch City Libraries

I am super excited to be showing how to make paint at the Turanga library next Sunday 13 January.

There will be a demonstration in the morning for children, and the workshop for adults in the afternoon.

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LOCALity

I took part in this exhibition, and showed some of my paintings made with ink from empty seed pods from Harakeke (NZ flax plant).  I also held a paintmaking workshop.

Here is the published information:

Last days for the exhibition LOCALity at Arts in Oxford, 72 Main St, Oxford. Exhibition closes Tues 10 July 2018.

LOCALity: a group exhibition exploring location, materiality & positioning

Arts in Oxford is pleased to present a selection of artworks by Canterbury artists Mark Adams, Mike Boot, Tony Bond, Cheryl Lucas, Elfi Spiewack, Tessa Warburton and Celia Wilson.

Artists each have diverse, unique practices but collectively are themes of rural life that connect all the works. Local geology, farming industry, water issues, native and introduced flora, recycling, repurposing are all reflected in this curated exhibition.

Images by Arts In Oxford.

2018-05-24 03.00.16-12018-05-24 03.02.34-12018-05-24 03.11.27-1

(You can just see my artworks on the wall in this photo above.)

Press Release:

Art_in_Oxford_LOCALity_Press Release_final-1

LOCALITY JUNE-JULYLOCALITY JUNE-JULY

Printmaking Workshop

Colours of Canterbury and other places, made at this morning’s printmaking workshop at Arts in Oxford Gallery.  Many thanks to Jo who made these lovely paints.

 

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Paintmaking Workshop

 

I am holding a paintmaking workshop on Saturday 23rd June.  If you are interested please book at the gallery to reserve a place.

We are also holding two other workshops to accompany the exhibition LOCALity now on show at Arts in Oxford, North Canterbury.

Locality workshops square

Seeds, hips and twigs

I completed a Skillshare course on botanical sketching by Laura Ashton, and was really pleased to get a few tips that really helped!  So pleased to find a use for some of my dried plant material.

 

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