Bookbinding

Have had a flurry of making prints to bind into books. These books are the result of making folios with painted paper and paper printed by two gelatine printing plates, one bought and one home made.

This is the latest effort; a book covered with acrylic paint on thick hot press paper (600 gsm or 360 gsm? Painted years ago). The binding is 4-needle coptic – my first one.

The book above has a 2-needle coptic binding. I’m following a video course – at the stage I’m at with bookbinding I sometimes find books hard to follow, and find being able to see what I am trying to do very helpful! The internet is such a wonderful resource.

Inside book block covered with harakeke + cotton rag paper made at the Oxford Papermaking Group.
Concertina book

This is a small concertina book. The cover is old wallpaper from my parent’s house in Auckland. Just love being able to use these odd bits and pieces left over and kept for decades. I thought the butterflies appropriate companions to the flowers, and had great fun using that trick of applying paint alongside a fold and then pressing the two sides together. I tried to be as quick and free as I could to outline the images in pen. I made a mistake though with the last one, as you can see, it wasn’t in the fold… but at least I had the opportunity to create another viewpoint.

These are all books I have made following the Handmade Book Club.

This is a case book that I made as well. In Oxford we have our own bookbinder – which is so great – and I learnt how to make these books from her a while ago. The first image below was created with a collagraph print suggested by the ‘fossil’ rock I have shown in a previous post.

Many of the prints are from gel plates such as the one below. The end paper is an embossed print formed by a piece of harakeke (New Zealand flax plant).

Case binding

This is my’ recycled’ book – made from a beer carton, ghost prints, left over printing ink or paint transferred to sheets of paper, and a cotton scrap from an old shirt to reinforce the spine for the exposed stitch binding – just in case. I consulted Alisa Golden’s book “Making Handmade Books” for this technique.

  • and it even works in a pamphlet binding for 19 A4 sheets of paper. I used the cover of the pad to enclose these sheets I’d dyed, printed or photocopied.
Pamphlet book – one signature

These books are destined to be diaries or journals or sketchbooks. Really happy to have found a use for my collection of paintings and prints.